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chiara2.json
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{
"metadata": [
{
"Title": "'A Comparison of Music Characteristics of Funeral Music from Croatia, the Netherlands, and the United Kingdom'",
"Authors": "Waldie E. Hanser, Ruth E. Mark, Ad J. J. M. Vingerhoets",
"Date of publication": "21/4/2023",
"Source": "https://www.researchgate.net/publication/370205361_A_Comparison_of_Music_Characteristics_of_Funeral_Music_from_Croatia_the_Netherlands_and_the_United_Kingdom"
},
{
"Title": "",
"Authors": "",
"Date of publication": "",
"Source": ""
}
],
"people": [
{
"Waldie E. Hanser": 1,
"Ruth E. Mark": 1,
"J. J. M. Vingerhoets": 1
},
{
"Waldie E. Hanser": "WEH",
"Ruth E. Mark": "REM",
"J. J. M. Vingerhoets": "JMV"
}
],
"places": [
{
"Croatia": 20,
"Netherlands": 34,
"United Kingdom": 29,
"Zagreb": 1,
"Osijek": 1
},
{
"Croatia": "HR",
"Netherlands": "NL",
"United Kingdom": "UK",
"Zagreb": "Zagreb",
"Osijek": "Osijek"
},
{
"Croatia": "https://en.wikipedia.org/wiki/Croatia",
"Netherlands": "https://en.wikipedia.org/wiki/Netherlands",
"United Kingdom": "https://en.wikipedia.org/wiki/United_Kingdom",
"Zagreb": "https://en.wikipedia.org/wiki/Zagreb",
"Osijek": "https://en.wikipedia.org/wiki/Osijek"
}
],
"keywords": [
{
"comparison": 8,
"funeral music": 56,
"popular music": 23,
"Spotify": 17
},
{
"comparison": "comparison",
"funeral music": "funeralMusic",
"popular music": "popularMusic",
"Spotify": "spotify"
}
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"references": [
{
"1. Ali, S. O., & Peynircioğlu, Z. F. (2006). Songs and emotions: Are lyrics and melodies equal partners? Psychology of Music, 34(4), 511–534. https://doi.org/10.1177/0305735606067168.": 1,
"2. Brattico, E., Alluri, V., Bogert, B., Jacobsen, T., Vartiainen, N., Nieminen, S. K., & Tervaniemi, M. (2011). A functional MRI study of happy and sad emotions in music with and without lyrics. Frontiers in Psychology, 2, 308. https://doi.org/10.3389/fpsyg.2011.00308": 1,
"3. Bruin-Mollenhorst, J. (2019). Funeral music between heaven and earth. In M. J. Bennett and D. Gracon (Eds.), Music and death: Interdisciplinary readings and perspectives (pp. 7– 18). Emerald Publishing Limited.": 1,
"4. Bruin-Mollenhorst, J. (2020). The musical eulogy and other functions of funeral music. OMEGA-Journal of Death and Dying, 82(1), 25–41. https://doi.org/10.1177/0030222818799939": 1,
"5. Bruin-Mollenhorst, J., & Hoondert, M. J. (2018). Musical media in Dutch crematoria: 1914- present. Thanatos, 7(1), 6–31. https://thanatosjournal.files.wordpress.com/2018/06/bruin- mollenhorst_hoondert_crematoria.pdf": 1,
"6. Caswell, G. (2011). Personalisation in Scottish funerals: Individualised ritual or relational process? Mortality, 16(3), 242–258. https://doi.org/10.1080/13576275.2011.586124": 1,
"7. Caswell, G. (2012). Beyond words: Some uses of music in the funeral setting. OMEGA- Journal of Death and Dying, 64(4), 319–334. https://doi.org/10.2190/OM.64.4.c": 1,
"8. Cohen, J. (1988). Statistical power analysis for the behavioral sciences (2nd ed.). Lawrence Erlbaum Associates": 1,
"Davidson, J. W., & Garrido, S. (2016). On music and mourning. In J. W. Davidson & S. Garrido (Eds.), Music and mourning (pp. 1–8). Routledge.": 1,
"10. Duman, D., Neto, P., Mavrolampados, A., Toiviainen, P., & Luck, G. (2022). Music we move to: Spotify audio features and reasons for listening. Plos One, 17(9), e0275228. https://doi.org/10.1371/journal.pone.0275228": 1,
"11. Eerola, T., Vuoskoski, J. K., Peltola, H. R., Putkinen, V., & Schäfer, K. (2018). An integrative review of the enjoyment of sadness associated with music. Physics of Life Reviews, 25, 100–121. https://doi.org/10.1016/j.plrev.2017.11.016": 1,
"12. Emke, I. (2002). Why the sad face? Secularization and the changing function of funerals in Newfoundland. Mortality, 7(3), 269–284. https://doi.org/10.1080/1357627021000025432": 1,
"13. Fiveash, A., & Luck, G. (2016). Effects of musical valence on the cognitive processing of lyrics. Psychology of Music, 44(6), 1346–1360. https://doi.org/10.1177/0305735615628057": 1,
"14. Fuentes-Sánchez, N., Pastor, R., Eerola, T., & Pastor, M. C. (2021). Spanish adaptation of a film music stimulus set (FMSS): Cultural and gender differences in the perception of emotions prompted by music excerpts. Psychology of Music, 49(5), 1242–1260. https://doi.org/10.1177/0305735620958464": 1,
"15. Gammon, V. (1988). Singing and popular funeral practices in the eighteenth and nineteenth centuries. Folk Music Journal, 5(4), 412–447. http://www.jstor.org/stable/4522274": 1,
"16. Garrido, S., & Davidson, J. W. (2016a). The modern funeral and music for celebration: Part I. In J. W. Davidson & S. Garrido (Eds.), Music and mourning (pp. 9–17). Routledge.": 1,
"17. Garrido, S., & Davidson, J. W. (2016b). The modern funeral and music for celebration: Part II. In J. W. Davidson & S. Garrido (Eds.), Music and mourning (pp. 18–30). Routledge.": 1,
"18. Garrido, S., & Garrido, W. F. (2016). The psychological function of music in mourning rituals: Examples from three continents. In J. W. Davidson & S. Garrido (Eds.), Music and mourning (pp. 55–68). Routledge.": 1,
"19. Hanser, W. E., Ter Bogt, T. F. M., Van den Tol, A. J. M., Mark, R. E., & Vingerhoets, A. J. J. M. (2016). Consolation through music: A survey study. Musicae Scientiae, 20(1), 122–137. https://doi.org/10.1177/102986491562026": 1,
"20. Hanser, W. E., Mark, R. E., & Vingerhoets, A. J. J. M. (2022). Music and lyric characteristics of popular Dutch funeral songs. OMEGA-Journal of Death and Dying. https://doi.org/10.1177/00302228221075471": 1,
"21. Howlin, C., & Rooney, B. (2021). Patients choose music with high energy, danceability, and lyrics in analgesic music listening interventions. Psychology of Music, 49(4), 931–944. https://doi.org/10.1177/0305735620907155": 1,
"22. Hunter, P. G., Schellenberg, E. G., & Griffith, A. T. (2011). Misery loves company: Mood- congruent emotional responding to music. Emotion, 11(5), 1068–1072. https://doi.org/10.1037/a0023749": 1,
"23. Juslin, P. N., & Laukka, P. (2004). Expression, perception, and induction of musical emotions: A review and a questionnaire study of everyday listening. Journal of New Music Research, 33(3), 217–238. https://doi.org/10.1080/0929821042000317813": 1,
"24. Katić, M. (2013). Laments in Croatian traditional culture. Cahiers Slaves, 13(1), 127–140. ": 1,
"25. Klass, D., Silverman, P. R., & Nickman, S. (2014). Continuing bonds: New understandings of grief. Taylor & Francis.": 1,
"26. Kölbl, M. (2021). Gender performativity in Burgenland Croatian laments. Senri Ethnological Studies, 105, 209–226. http://doi.org/10.15021/00009772": 1,
"27. Liew, K., Uchida, Y., Domae, H., & Koh, A. H. (2022). Energetic music is used for anger downregulation: A cross‐cultural differentiation of intensity from rhythmic arousal. Journal of Applied Social Psychology, 1–12. https://doi.org/10.1111/jasp.12951": 1,
"28. Merrill, K. J., Catron, E., Hamlin, E., Calhoun, J., & Hastings, S. O. (2022). Uses and gratifications of music in bereavement: A qualitative inquiry. OMEGA-Journal of Death and Dying. https://doi.org/10.1177/003022282211214": 1,
"29. Mills, S. (2012). Sounds to soothe the soul: Music and bereavement in a traditional South Korean death ritual. Mortality, 17(2), 145–157. https://doi.org/10.1080/13576275.2012.675231": 1,
"30. Mollenhorst, J., Hoondert, M. J., & Van Zaanen, M. M. (2016). Musical parameters in the playlist of a Dutch Crematorium. Mortality, 21(4), 322–339. https://doi.org/10.1080/13576275.2016.1138935": 1,
"31. Packard, G., & Berger, J. (2020). Thinking of you: How second-person pronouns shape cultural success. Psychological Science, 31(4), 397–407. https://doi.org/10.1177/0956797620902380": 1,
"32. Park, M., Thom, J., Mennicken, S., Cramer, H., & Macy, M. (2019). Global music streaming data reveal diurnal and seasonal patterns of affective preference. Nature Human Behaviour, 3(3), 230–236. https://doi.org/10.1038/s41562-018-0508-z": 1,
"33. Parsons, B. (2012). Identifying key changes: The progress of cremation and its influence on music at funerals in England, 1874–2010. Mortality, 17(2), 130–144. https://doi.org/10.1080/13576275.2012.675228": 1,
"34. Perinić Lewis, A., Rajić Šikanjić, P., Miloš, M., & Kolarić, B. (2022). Death, funerals and mourning on the Croatian islands during the COVID-19 pandemic. Collegium Antropologicum, 46(3), 229–235. https://doi.org/10.5671/ca.46.3.6": 1,
"35. Prelovšek, A. (2021). The influence of the Mediterranean on funeral ceremonies and funeral music in Slovenian coastal areas. International Journal of Euro-Mediterranean Studies, 14(2), 39–60.": 1,
"36. R Core Team (2022). R: A language and environment for statistical computing. R Foundation for Statistical Computing. https://www.R-project.org/": 1,
"37. Savage, P. E., Brown, S., Sakai, E., & Currie, T. E. (2015). Statistical universals reveal the structures and functions of human music. Proceedings of the National Academy of Sciences, 112(29), 8987–8992. https://doi.org/10.1073/pnas.1414495112": 1,
"38. Scarratt, R. J., Heggli, O. A., Vuust, P., & Jespersen, K. V. (2023). The audio features of sleep music: Universal and subgroup characteristics. PloS One, 18(1), e0278813. https://doi.org/10.1371/journal.pone.0278813": 1,
"39. Schäfer, T., Sedlmeier, P., Städtler, C., & Huron, D. (2013). The psychological functions of music listening. Frontiers in Psychology, 4, 511. https://doi.org/10.3389/fpsyg.2013.00511": 1,
"40. Schellenberg, E. G., & von Scheve, C. (2012). Emotional cues in American popular music: Five decades of the Top 40. Psychology of Aesthetics, Creativity, and the Arts, 6(3), 196–203. https://doi.org/10.1037/a0028024": 1,
"41. Spotify for Developers. (2022). Get audio features for a track. https://developer.spotify.com/documentation/web-api/reference/#endpoint-get-audio- features": 1,
"42. Swaminathan, S., & Schellenberg, E. G. (2015). Current emotion research in music psychology. Emotion Review, 7(2), 189–197. https://doi.org/10.1177/1754073914558282": 1,
"43. aruffi, L., & Koelsch, S. (2014). The paradox of music-evoked sadness: An online survey. PloS One, 9(10), e110490. https://doi.org/10.1371/journal.pone.0110490": 1,
"44. Thompson, C., Antal, D., Parry, J., Phipps, D., &Wolff, T. (2021). Spotifyr: R wrapper for the’ Spotify’ web API. R package version 2.2.3. Github. http://github.com/charlie86/spotifyr": 1,
"45. Tomczak, M., & Tomczak, E. (2014). The need to report effect size estimates revisited: An overview of some recommended measures of effect size. Trends in Sport Sciences, 1(21), 19–25.": 1,
"46. Van den Tol, A. J. M. (2016). The appeal of sad music: A brief overview of current directions in research on motivations for listening to sad music. The Arts in Psychotherapy, 49, 44–49. https://doi.org/10.1016/j.aip.2016.05.008": 1,
"47. Van den Tol, A. J. M., & Edwards, J. (2013). Exploring a rationale for choosing to listen to sad music when feeling sad. Psychology of Music, 41(4), 440–465. https://doi.org/10.1177/0305735611430433": 1,
"48. Van der Smissen, D., Steenbakker, M. A., Hoondert, M. J., & van Zaanen, M. M. (2019). Music and cremation rituals in The Netherlands: A fine-grained analysis of a crematorium’s playlist. Digital Scholarship in the Humanities, 34(4), 806–817. https://doi.org/10.1093/llc/fqy068": 1,
"49. Venbrux, E., Peelen, J., & Altena, M. (2009). Going Dutch: Individualisation, secularisation and changes in death rites. Mortality, 14(2), 97–101. https://doi.org/10.1080/13576270902807508": 1,
"50. Vidas, D., Larwood, J. L., Nelson, N. L., & Dingle, G. A. (2021). Music listening as a strategy for managing COVID-19 stress in first-year university students. Frontiers in Psychology, 12, 647065. https://doi.org/10.3389/fpsyg.2021.647065": 1,
"51. Viper, M., Thyrén, D., & Horwitz, E. B. (2022). Music as consolation—the importance of music at farewells and mourning. OMEGA-Journal of Death and Dying, 85(1), 155– 177. https://doi.org/10.1177/0030222820942": 1
},
{
"1. Ali, S. O., & Peynircioğlu, Z. F. (2006). Songs and emotions: Are lyrics and melodies equal partners? Psychology of Music, 34(4), 511–534. https://doi.org/10.1177/0305735606067168.": "b01",
"2. Brattico, E., Alluri, V., Bogert, B., Jacobsen, T., Vartiainen, N., Nieminen, S. K., & Tervaniemi, M. (2011). A functional MRI study of happy and sad emotions in music with and without lyrics. Frontiers in Psychology, 2, 308. https://doi.org/10.3389/fpsyg.2011.00308": "b02",
"3. Bruin-Mollenhorst, J. (2019). Funeral music between heaven and earth. In M. J. Bennett and D. Gracon (Eds.), Music and death: Interdisciplinary readings and perspectives (pp. 7– 18). Emerald Publishing Limited.": "b03",
"4. Bruin-Mollenhorst, J. (2020). The musical eulogy and other functions of funeral music. OMEGA-Journal of Death and Dying, 82(1), 25–41. https://doi.org/10.1177/0030222818799939": "b04",
"5. Bruin-Mollenhorst, J., & Hoondert, M. J. (2018). Musical media in Dutch crematoria: 1914- present. Thanatos, 7(1), 6–31. https://thanatosjournal.files.wordpress.com/2018/06/bruin- mollenhorst_hoondert_crematoria.pdf": "b05",
"6. Caswell, G. (2011). Personalisation in Scottish funerals: Individualised ritual or relational process? Mortality, 16(3), 242–258. https://doi.org/10.1080/13576275.2011.586124": "b06",
"7. Caswell, G. (2012). Beyond words: Some uses of music in the funeral setting. OMEGA- Journal of Death and Dying, 64(4), 319–334. https://doi.org/10.2190/OM.64.4.c": "b07",
"8. Cohen, J. (1988). Statistical power analysis for the behavioral sciences (2nd ed.). Lawrence Erlbaum Associates": "b08",
"Davidson, J. W., & Garrido, S. (2016). On music and mourning. In J. W. Davidson & S. Garrido (Eds.), Music and mourning (pp. 1–8). Routledge.": "b09",
"10. Duman, D., Neto, P., Mavrolampados, A., Toiviainen, P., & Luck, G. (2022). Music we move to: Spotify audio features and reasons for listening. Plos One, 17(9), e0275228. https://doi.org/10.1371/journal.pone.0275228": "b10",
"11. Eerola, T., Vuoskoski, J. K., Peltola, H. R., Putkinen, V., & Schäfer, K. (2018). An integrative review of the enjoyment of sadness associated with music. Physics of Life Reviews, 25, 100–121. https://doi.org/10.1016/j.plrev.2017.11.016": "b11",
"12. Emke, I. (2002). Why the sad face? Secularization and the changing function of funerals in Newfoundland. Mortality, 7(3), 269–284. https://doi.org/10.1080/1357627021000025432": "b12",
"13. Fiveash, A., & Luck, G. (2016). Effects of musical valence on the cognitive processing of lyrics. Psychology of Music, 44(6), 1346–1360. https://doi.org/10.1177/0305735615628057": "b13",
"14. Fuentes-Sánchez, N., Pastor, R., Eerola, T., & Pastor, M. C. (2021). Spanish adaptation of a film music stimulus set (FMSS): Cultural and gender differences in the perception of emotions prompted by music excerpts. Psychology of Music, 49(5), 1242–1260. https://doi.org/10.1177/0305735620958464": "b14",
"15. Gammon, V. (1988). Singing and popular funeral practices in the eighteenth and nineteenth centuries. Folk Music Journal, 5(4), 412–447. http://www.jstor.org/stable/4522274": "b15",
"16. Garrido, S., & Davidson, J. W. (2016a). The modern funeral and music for celebration: Part I. In J. W. Davidson & S. Garrido (Eds.), Music and mourning (pp. 9–17). Routledge.": "b16",
"17. Garrido, S., & Davidson, J. W. (2016b). The modern funeral and music for celebration: Part II. In J. W. Davidson & S. Garrido (Eds.), Music and mourning (pp. 18–30). Routledge.": "b17",
"18. Garrido, S., & Garrido, W. F. (2016). The psychological function of music in mourning rituals: Examples from three continents. In J. W. Davidson & S. Garrido (Eds.), Music and mourning (pp. 55–68). Routledge.": "b18",
"19. Hanser, W. E., Ter Bogt, T. F. M., Van den Tol, A. J. M., Mark, R. E., & Vingerhoets, A. J. J. M. (2016). Consolation through music: A survey study. Musicae Scientiae, 20(1), 122–137. https://doi.org/10.1177/102986491562026": "b19",
"20. Hanser, W. E., Mark, R. E., & Vingerhoets, A. J. J. M. (2022). Music and lyric characteristics of popular Dutch funeral songs. OMEGA-Journal of Death and Dying. https://doi.org/10.1177/00302228221075471": "b20",
"21. Howlin, C., & Rooney, B. (2021). Patients choose music with high energy, danceability, and lyrics in analgesic music listening interventions. Psychology of Music, 49(4), 931–944. https://doi.org/10.1177/0305735620907155": "b21",
"22. Hunter, P. G., Schellenberg, E. G., & Griffith, A. T. (2011). Misery loves company: Mood- congruent emotional responding to music. Emotion, 11(5), 1068–1072. https://doi.org/10.1037/a0023749": "b22",
"23. Juslin, P. N., & Laukka, P. (2004). Expression, perception, and induction of musical emotions: A review and a questionnaire study of everyday listening. Journal of New Music Research, 33(3), 217–238. https://doi.org/10.1080/0929821042000317813": "b23",
"24. Katić, M. (2013). Laments in Croatian traditional culture. Cahiers Slaves, 13(1), 127–140. ": "b24",
"25. Klass, D., Silverman, P. R., & Nickman, S. (2014). Continuing bonds: New understandings of grief. Taylor & Francis.": "b25",
"26. Kölbl, M. (2021). Gender performativity in Burgenland Croatian laments. Senri Ethnological Studies, 105, 209–226. http://doi.org/10.15021/00009772": "b26",
"27. Liew, K., Uchida, Y., Domae, H., & Koh, A. H. (2022). Energetic music is used for anger downregulation: A cross‐cultural differentiation of intensity from rhythmic arousal. Journal of Applied Social Psychology, 1–12. https://doi.org/10.1111/jasp.12951": "b27",
"28. Merrill, K. J., Catron, E., Hamlin, E., Calhoun, J., & Hastings, S. O. (2022). Uses and gratifications of music in bereavement: A qualitative inquiry. OMEGA-Journal of Death and Dying. https://doi.org/10.1177/003022282211214": "b28",
"29. Mills, S. (2012). Sounds to soothe the soul: Music and bereavement in a traditional South Korean death ritual. Mortality, 17(2), 145–157. https://doi.org/10.1080/13576275.2012.675231": "b29",
"30. Mollenhorst, J., Hoondert, M. J., & Van Zaanen, M. M. (2016). Musical parameters in the playlist of a Dutch Crematorium. Mortality, 21(4), 322–339. https://doi.org/10.1080/13576275.2016.1138935": "b30",
"31. Packard, G., & Berger, J. (2020). Thinking of you: How second-person pronouns shape cultural success. Psychological Science, 31(4), 397–407. https://doi.org/10.1177/0956797620902380": "b31",
"32. Park, M., Thom, J., Mennicken, S., Cramer, H., & Macy, M. (2019). Global music streaming data reveal diurnal and seasonal patterns of affective preference. Nature Human Behaviour, 3(3), 230–236. https://doi.org/10.1038/s41562-018-0508-z": "b32",
"33. Parsons, B. (2012). Identifying key changes: The progress of cremation and its influence on music at funerals in England, 1874–2010. Mortality, 17(2), 130–144. https://doi.org/10.1080/13576275.2012.675228": "b33",
"34. Perinić Lewis, A., Rajić Šikanjić, P., Miloš, M., & Kolarić, B. (2022). Death, funerals and mourning on the Croatian islands during the COVID-19 pandemic. Collegium Antropologicum, 46(3), 229–235. https://doi.org/10.5671/ca.46.3.6": "b34",
"35. Prelovšek, A. (2021). The influence of the Mediterranean on funeral ceremonies and funeral music in Slovenian coastal areas. International Journal of Euro-Mediterranean Studies, 14(2), 39–60.": "b35",
"36. R Core Team (2022). R: A language and environment for statistical computing. R Foundation for Statistical Computing. https://www.R-project.org/": "b36",
"37. Savage, P. E., Brown, S., Sakai, E., & Currie, T. E. (2015). Statistical universals reveal the structures and functions of human music. Proceedings of the National Academy of Sciences, 112(29), 8987–8992. https://doi.org/10.1073/pnas.1414495112": "b37",
"38. Scarratt, R. J., Heggli, O. A., Vuust, P., & Jespersen, K. V. (2023). The audio features of sleep music: Universal and subgroup characteristics. PloS One, 18(1), e0278813. https://doi.org/10.1371/journal.pone.0278813": "b38",
"39. Schäfer, T., Sedlmeier, P., Städtler, C., & Huron, D. (2013). The psychological functions of music listening. Frontiers in Psychology, 4, 511. https://doi.org/10.3389/fpsyg.2013.00511": "b39",
"40. Schellenberg, E. G., & von Scheve, C. (2012). Emotional cues in American popular music: Five decades of the Top 40. Psychology of Aesthetics, Creativity, and the Arts, 6(3), 196–203. https://doi.org/10.1037/a0028024": "b40",
"41. Spotify for Developers. (2022). Get audio features for a track. https://developer.spotify.com/documentation/web-api/reference/#endpoint-get-audio- features": "b41",
"42. Swaminathan, S., & Schellenberg, E. G. (2015). Current emotion research in music psychology. Emotion Review, 7(2), 189–197. https://doi.org/10.1177/1754073914558282": "b42",
"43. aruffi, L., & Koelsch, S. (2014). The paradox of music-evoked sadness: An online survey. PloS One, 9(10), e110490. https://doi.org/10.1371/journal.pone.0110490": "b43",
"44. Thompson, C., Antal, D., Parry, J., Phipps, D., &Wolff, T. (2021). Spotifyr: R wrapper for the’ Spotify’ web API. R package version 2.2.3. Github. http://github.com/charlie86/spotifyr": "b44",
"45. Tomczak, M., & Tomczak, E. (2014). The need to report effect size estimates revisited: An overview of some recommended measures of effect size. Trends in Sport Sciences, 1(21), 19–25.": "b45",
"46. Van den Tol, A. J. M. (2016). The appeal of sad music: A brief overview of current directions in research on motivations for listening to sad music. The Arts in Psychotherapy, 49, 44–49. https://doi.org/10.1016/j.aip.2016.05.008": "b46",
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}
]
}